Where is real?
As part of an opening exercise in a recent dramatic theory class, my students were asked to respond with coloured Sharpies to a variety of prompts scattered on chart paper […]
As part of an opening exercise in a recent dramatic theory class, my students were asked to respond with coloured Sharpies to a variety of prompts scattered on chart paper […]
During my PhD studies at the University of Toronto, I had the great privilege of having for my supervisor Shakespearean scholar par excellence Alexander (Sandy) Leggatt. This was back when […]
In a previous blog about Liz Tomlin’s fantastic book Acts and Apparitions (recently released in paperback), I quoted Tomlin’s challenge to the creators of radical performance: “In a world where we […]
In her book Acts and Apparitions: Discourses on the Real in Performance Practice and Theory 1990-2010, Liz Tomlin begins with the premise that reality is persistently exposed as ideological illusion. […]
I’ve been doing a lot of immersive theatre lately. (Fun, but hard on the limbic system. That is a thought for another post.) What has struck me particularly is the […]
In her book Culture and the Real, Catherine Belsey suggests that the source of uncanny unease in horror films is the incursion of patently non-real/supernatural objects into the real world. […]
In her post “Red Lip, Classic(al)” theatre blogger (and my senior thesis student) Morgan Anderson considers two specific costuming choices in Queen’s School of Drama and Music’s recent production of […]
Last weekend I had the privilege to attend the Festival of Original Theatre conference 2016 presented by the students at the Graduate Centre for Study of Drama, Theatre and Performance […]
In the past several months, I have done two immersive theatre performances. Not ‘done’ as a performer-creator-producer, mind you. And yet saying I ‘went’ to the performance or I ‘saw’ […]
Yesterday I finally caught up with Rebecca Northan’s Blind Date. First created in 2007, the show has toured extensively in Canada, the US and the UK. The premise of the […]