Artist-tyrants and aspiring divinities
In a previous blog about Liz Tomlin’s fantastic book Acts and Apparitions (recently released in paperback), I quoted Tomlin’s challenge to the creators of radical performance: “In a world where we […]
In a previous blog about Liz Tomlin’s fantastic book Acts and Apparitions (recently released in paperback), I quoted Tomlin’s challenge to the creators of radical performance: “In a world where we […]
Last weekend I had the privilege to attend the Festival of Original Theatre conference 2016 presented by the students at the Graduate Centre for Study of Drama, Theatre and Performance […]
In my last post, I responded to a paper by Matt Jones that was presented at the recent CATR/SQET conference in Ottawa. Continuing that trend, here are some thoughts/questions inspired […]
The call for proposals for the “Beyond the Postdramatic? The Stakes of Contemporary Performance” working group (organized by Shane Boyle, Matthew Cornish, and Brandon Woolf) at this year’s ASTR conference […]