Red Lipstick Macbeth and Masculinity
In her post “Red Lip, Classic(al)” theatre blogger (and my senior thesis student) Morgan Anderson considers two specific costuming choices in Queen’s School of Drama and Music’s recent production of […]
In her post “Red Lip, Classic(al)” theatre blogger (and my senior thesis student) Morgan Anderson considers two specific costuming choices in Queen’s School of Drama and Music’s recent production of […]
Last Sunday I had the chance to watch Belarus Free Theatre‘s performance of Trash Cuisine at LaMama in New York via livestreaming on HowlroundTV (Archived temporarily? here). Disingenuously framed as […]
From the inception of this project about Theatre of the Real, it has been clear to me that audience perception/experience is central to this phenomenon. Of course, the perception by […]
As Josette Feral explains so lucidly, the main perceptual act in creating theatricality is the carving out of fictional space from mundane space (I am paraphrasing hugely here). To bring […]