The readymade real: selectivity and the frame
Last weekend I had the privilege to attend the Festival of Original Theatre conference 2016 presented by the students at the Graduate Centre for Study of Drama, Theatre and Performance […]
Last weekend I had the privilege to attend the Festival of Original Theatre conference 2016 presented by the students at the Graduate Centre for Study of Drama, Theatre and Performance […]
The call for proposals for the “Beyond the Postdramatic? The Stakes of Contemporary Performance” working group (organized by Shane Boyle, Matthew Cornish, and Brandon Woolf) at this year’s ASTR conference […]
Remediation, a term coined by Jay David Bolter and Richard Grusin in their book of the same title (1999), refers to “the representation of one medium in another medium” (45). Theatrical […]
At a very basic level, the negotiation between the two synchronous worlds of the actual and the fictional forms the foundation of what makes theatre theatre, distinguishing performance from life. […]