Artist-tyrants and aspiring divinities
In a previous blog about Liz Tomlin’s fantastic book Acts and Apparitions (recently released in paperback), I quoted Tomlin’s challenge to the creators of radical performance: “In a world where we […]
Monthly Archives: August 2016
Jumping through the fourth wall: realism and/or the real
In each chapter of Marvin Carlson’s Shattering Hamlet’s Mirror: Theatre and Reality, Professor Carlson follows essentially the same trajectory. Beginning with the earliest historical examples, Carlson traces the lineage of […]
Upsurges of the Real: a performance research blog 