Upsurges of the Real: a performance research blog

. . . notes, musings, questions, and insights about Canadian theatre and realness

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Monthly Archives: June 2012

Pointing toward the real

June 28, 2012by queensjenn Leave a comment

I am reading a collection of essays about documentary theatre (mostly in the UK) edited by Alison Forsyth and Chris Megson titled Get Real: Documentary Theatre Past and Present. The […]

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Don’t read anything about this play until you see it

June 25, 2012by queensjenn 2 Comments

Today I was informed by two people close to this research project — my regular lunch colleague Grahame R.  and my research assistant Kelsey J.  (both of whom are currently […]

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The Polonius Test

June 21, 2012by queensjenn 4 Comments

To evaluate the authenticity of your business offering, James Gilmore and B. Joseph Pine, authors of Authenticity: What Consumers Really Want  (mentioned in the previous post), suggest taking the Polonius […]

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How audience participation makes the real realer

June 20, 2012by queensjenn Leave a comment

As a citizen of this postmodern moment, authenticity is something I desire. I want to be authentic and I want to surround myself with authentic objects and experiences. Contemporary philosophers […]

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Why we like (fake) reality

June 18, 2012by queensjenn Leave a comment

The attraction to the real that I have observed anecdotally in audiences arises, says David Boyle, because for the last century or so we have lived in an increasingly artificial […]

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Another View on Theatre Animals

June 18, 2012by queensjenn Leave a comment

This invariably happens when I am in the reading phase of a research project. I will encounter an article or chapter or book that from the library catalogue sounds like […]

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Martha Henry’s ferret

June 14, 2012by queensjenn 2 Comments

The 2012 production of Cymbeline at the Stratford Festival reminds me of the last time I saw Cymbeline at the Festival. It is 2004 and I am sitting in the […]

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What Wittgenstein’s Duck/Rabbit has to do with theatrical duality

June 11, 2012by queensjenn Leave a comment

On the recommendation of my colleague Grahame Renyk, I finally got around to reading “Infiction and Outfiction: The Role of Fiction in Theatrical Performance” by David Z. Saltz. (Full citation […]

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Verbatim theatre: Porte Parole’s “Seeds”

June 9, 2012by queensjenn Leave a comment

Certainly a project that takes the performance of the real on stage as its primary point of departure must be interested in verbatim theatre. (Verbatim theatre refers to the practice […]

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Real autobiographical objects in a glass box

June 7, 2012by queensjenn Leave a comment

Yesterday, on the suggestion of my colleague Ted Little, I visited the Centre d’Histoire de Montreal in Old Montreal.  There, the section “We Are Here/Nous Sommes Ici” presents the final […]

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About the author:

Jenn Stephenson is Professor of Drama and Music in the Dan School at Queen’s University, Kingston, Canada.

300 Tapes acting actual animals antigone artificial audience audience perception audiences authentic authenticity autobiography Bert O. States Canadian celebrities character children cognitive science communion consumers containers conventions DIY documentary dramaturgy expectation experience fake fiction fictional framing Hamlet hypermediacy hyperreal image schema image schemas immediacy immersive theatre infiction knowledge liars live Liz Tomlin metatheatre mobilization museums non-acting non-actor non-actors non-expert non-experts objects participation perception performance performers postdramatic poststructuralism props real reality reality-based theatre research Rhonda Blair ridout site-specific social media stage fright still life theatre theatricality trust utopia verbatim witness

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Preamble

I started this blog back in 2012 as a way to think out loud and in public about my research into theatres of the real. Thus the blog title which pays homage to Bert O. States. In May 2019, those ideas which were seedlings here are being published as Insecurity: Perils and Products of Theatres of the Real, weighing in at nearly 300 pages, from University of Toronto Press. But the research goes on, and the out loud thinking goes on. The topic has changed slightly and the new key word is "PARTICIPATION." I'm thinking about those performances where audiences are co-creators.

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What’s Jenn tweeting about?

  • RT @QUartsci: Reminder that this Saturday is Fall Preview. Prospective students, see why Queen's might be the right place for you! Tour the… 3 months ago
  • RT @VPDeanTierney: Happy Academics Week! Catch up and keep up with academic workshops and supports from @queensusass. Improve your writing,… 3 months ago
  • Looking forward to it! @QUartsci will be there to talk about our programs. From creative arts to humanities to soci… twitter.com/i/web/status/1… 4 months ago
  • RT @DrMeghanNorris: This week at PsycNight: How to study and prep for midterms (eek, yes, already!). A collaboration with @QueensPsyc and @… 4 months ago
  • RT @VPDeanTierney: Parents, Families, and Supporters of incoming students: Please join me online on August 24 at 7 pm ET for tips on suppor… 5 months ago
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